i never stop talking about some of these so i might as well banish them to a single post! you might know about a lot of them already, but feel free to look anyway
freeware can be a great opportunity to get a feel for something and learn a new skill. and in some cases, the free versions are almost as powerful, so you might find that you saved a lot of money but made work that was just about equal to what you might have done with paid software!
I mean the whole damn point of the Nativity story is that the supposed son of God (interpret Jesus how you fucking want, of course) was born to a couple of poor, exhausted peasants in the stable for the inn, and his first bed was a feeding trough for animals. That would nowadays be like a poor couple where the mother gives birth in a parking garage behind the motel because they couldn’t find a better place and nobody else would take them in. It’s a pretty gritty setting, and the idea is that God was reborn in some of the rock-bottom lowest circumstances. The only thing majestic was all the angels and shit, and of course motherly love
I get that a lot of the art portraying Madonna and Child as fabulously wealthy europeans in splendid robes and golden light was meant to glorify God + whichever nobility was sponsoring the artist, and while of course it’s genuinely beautiful art, it just always struck me as horribly missing the point, which is that the supposed son of God started in incredibly humble circumstances, among the kind of people that everyone else looks down on
‘Massacre des Innocents’ by Leon Cogniét, 1824. Although the Feast of the Holy Innocents is in a couple of days time, this painting is still really relevant in that it portrays Mary as how She really was: a scared refugee mum, so fearful that Her son was going to be one of the Innocents killed by King Herod.
I had to look at this like FIVE TIMES to register all the layers of symbolism going into the piece by Patterson.
The hoodie as a veil.
Weisman cigarettes
Each of them is haloed by an advertisement sticker.
No Vacancy sign on the motel.
Dove sticker over Maria’s head.
Neon sign with a star symbol also over Maria’s head.
The crown over the ‘Dave’s City Motel’ sign. “New Manger.”
The sign behind Jose’s elbow likely says ‘Herod.’
The wee little plant growing through the cracks at their feet.
It’s like a New Testament ‘I Spy.’ I love it!
Ugh.
New favorite interpretation of the nativity.
Ezekiel 34 15-16 on the phone
I looked up that verse and
15 I myself will tend my sheep and have them lie down, declares the Sovereign Lord.16 I will search for the lost and bring back the strays. I will bind up the injured and strengthen the weak, but the sleek and the strong I will destroy. I will shepherd the flock with justice.
Wow. The amount of detail that’s put into this piece is amazing.
More things I found…
The Herod sign has his full name “Herod Antipas”
The newspaper on the ground is advertising “Shepherd Watches”. And also “Glad” & “Tide”. (“Glad tidings of great joy…”
“Gloria” sticker on the telephone pole.
The graffiti under Mary says “Word” on one side & “Flesh” on the other, referencing John 1:14 “And The Word became flesh, and dwelt among us….”
This is a long-standing tension in Christianity! Historically, Christianity has been defined by the tensions between its foundation as a religion that preached radical social reform and its (relatively) rapid ascent to the highest reaches of power.
The public reaction to the picture was one of horror and Millais was viciously attacked by the press. The Times described the painting as ‘revolting’ and objected to the way in which the artist had dared to depict the Holy Family as ordinary, lowly people in a humble carpenter’s shop ‘with no conceivable omission of misery, of dirt, of even disease, all finished with the same loathsome minuteness’. Charles Dickens was one of the most vehement critics, describing the young Christ as ‘a hideous, wry-necked, blubbering, red-headed boy, in a bed gown’ (Household Words, 15 June 1850).
The painting, originally titled “Christ in the House of his Parents,” had to be retitled “The Carpenter’s Shop” so as not to offend viewers – particularly in the tense social atmosphere of the Industrial Revolution.
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