sashaforthewin:

So you know how in Battle of Five Armies they show Sauron in this ball of flame and it looks like the Eye of Sauron?

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So I can’t stop laughing about this because I keep imagining all of LoTR taking place with Sauron just standing on the top of Barad-dûr and just walking around looking at stuff.

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“dang, where’d that hobbit go?”

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Writing Traumatic Injuries References

alatar-and-pallando:

So, pretty frequently writers screw up when they write about injuries. People are clonked over the head, pass out for hours, and wake up with just a headache… Eragon breaks his wrist and it’s just fine within days… Wounds heal with nary a scar, ever…

I’m aiming to fix that.

Here are over 100 links covering just about every facet of traumatic injuries (physical, psychological, long-term), focusing mainly on burns, concussions, fractures, and lacerations. Now you can beat up your characters properly!

General resources

WebMD

Mayo Clinic first aid

Mayo Clinic diseases

First Aid

PubMed: The source for biomedical literature

Diagrams: Veins (towards heart), arteries (away from heart) bones, nervous system, brain

 

Burns

General overview: Includes degrees

Burn severity: Including how to estimate body area affected

Burn treatment: 1st, 2nd, and 3rd degrees

Smoke inhalation

Smoke inhalation treatment

Chemical burns

Hot tar burns

Sunburns

 

Incisions and Lacerations

Essentials of skin laceration repair (including stitching techniques)

When to stitch (Journal article–Doctors apparently usually go by experience on this)

More about when to stitch (Simple guide for moms)

Basic wound treatment

Incision vs. laceration: Most of the time (including in medical literature) they’re used synonymously, but eh.

Types of lacerations: Page has links to some particularly graphic images–beware!

How to stop bleeding: 1, 2, 3

Puncture wounds: Including a bit about what sort of wounds are most likely to become infected

More about puncture wounds

Wound assessment: A huge amount of information, including what the color of the flesh indicates, different kinds of things that ooze from a wound, and so much more.

Home treatment of gunshot wound, also basics
More about gunshot wounds, including medical procedures

Tourniquet use: Controversy around it, latest research

Location pain chart: Originally intended for tattoo pain, but pretty accurate for cuts

General note: Deeper=more serious. Elevate wounded limb so that gravity draws blood towards heart. Scalp wounds also bleed a lot but tend to be superficial. If it’s dirty, risk infection. If it hits the digestive system and you don’t die immediately, infection’ll probably kill you. Don’t forget the possibility of tetanus! If a wound is positioned such that movement would cause the wound to gape open (i.e. horizontally across the knee) it’s harder to keep it closed and may take longer for it to heal.

 

Broken bones

Types of fractures

Setting a broken bone when no doctor is available

Healing time of common fractures

Broken wrists

Broken ankles/feet

Fractured vertebrae: Neck (1, 2), back

Types of casts

Splints

Fracture complications

Broken noses

Broken digits: Fingers and toes

General notes: If it’s a compound fracture (bone poking through) good luck fixing it on your own. If the bone is in multiple pieces, surgery is necessary to fix it–probably can’t reduce (“set”) it from the outside. Older people heal more slowly. It’s possible for bones to “heal” crooked and cause long-term problems and joint pain. Consider damage to nearby nerves, muscle, and blood vessels.

 

Concussions

General overview

Types of concussions 1, 2

Concussion complications

Mild Brain Injuries: The next step up from most severe type of concussion, Grade 3

Post-concussion syndrome

Second impact syndrome: When a second blow delivered before recovering from the initial concussion has catastrophic effects. Apparently rare.

Recovering from a concussion

Symptoms: Scroll about halfway down the page for the most severe symptoms

Whiplash

General notes: If you pass out, even for a few seconds, it’s serious. If you have multiple concussions over a lifetime, they will be progressively more serious. Symptoms can linger for a long time.

Character reaction:

Shock (general)

Physical shock: 1, 2

Fight-or-flight response: 1, 2

Long-term emotional trauma: 1 (Includes symptoms), 2

First aid for emotional trauma

 

Treatment (drugs)

WebMD painkiller guide

 

Treatment (herbs)

1, 2, 3, 4

 

Miscellany

Snake bites: No, you don’t suck the venom out or apply tourniquettes

Frostbite

Frostbite treatment

Severe frostbite treatment

When frostbite sets in: A handy chart for how long your characters have outside at various temperatures and wind speeds before they get frostbitten

First aid myths: 1, 2, 3, 4, 5 Includes the ones about buttering burns and putting snow on frostbite.

Poisons: Why inducing vomiting is a bad idea

Poisonous plants

Dislocations: Symptoms 1, 2; treatment. General notes: Repeated dislocations of same joint may lead to permanent tissue damage and may cause or be symptomatic of weakened ligaments. Docs recommend against trying to reduce (put back) dislocated joint on your own, though information about how to do it is easily found online.

Muscular strains

Joint sprain

Resuscitation after near-drowning: 1, 2

Current CPR practices: We don’t do mouth-to-mouth anymore.

The DSM IV, for all your mental illness needs.

 

Electrical shock

Human response to electrical shock: Includes handy-dandy voltage chart

Length of contact needed at different voltages to cause injury

Evaluation protocol for electric shock injury

Neurological complications

Electrical and lightning injury

Cardiac complications

Delayed effects and a good general summary

Acquired savant syndrome: Brain injuries (including a lightning strike) triggering development of amazing artistic and other abilities

Please don’t repost! You can find the original document (also created by me) here.

Ron’s sacrifice

blvnk-art:

We all remember the scene in the first movie of HP when Ron had to sacrifice himself to win the chess game without destroying Harry and Hermione’s pieces.

While I’ve been learning about chess for fun and I love movie production too, I’ve found the chess puzzle that justify Ron’s sacrifice in that scene.

Why am I sharing this? The player (Jeremy Silman) who created the puzzle was NEVER credited in the movies. I know the audience was not interested if the positions were right, but those details are what make a movie different and accurate. In my opinion creating a puzzle (of one of the most difficult logical games) for a movie is like an artist creating a concept art/storyboard, so not receiving credit for it was really unfair.

Besides, it can be fun to solve the problem if you play chess. remember: Harry and Hermione can’t be taken. You can find the explanation/solution here and here.

vefanyar:

psychopompious:

There’s one thing about Gondolin that really, really bothers me. A question I can’t stop thinking about.

Why didn’t Idril tell Turgon about the secret tunnel? Didn’t she trust her own father?

And the thing about this is. How many of Gondolin’s warriors made suicidal last stands because they didn’t know that there was any hope? How many civilians were cornered because they didn’t know where to go? How many parents hid in their houses with their children because they didn’t know how to escape?

I mean holy shit, that’s not how you do an evacuation. An evacuation route only benefits people who know that it exists. If you’re really worried about spies, you don’t just make one route and hide it from everybody, you make multiple routes. Away from likely breach points, with a few secret ones branching off into undisclosed exits. At the very least, people should be trained how to safely escape their houses and get to secure locations. A single secret route isn’t meant to save others. It’s just for you and yours.

Considering how staunchly anti-evacuation Turgon was, and given that Maeglin successfully influenced him against Ulmo’s message into an even more isolationist policy and even the dry river entrance was closed up, I’m not surprised Idril did not trust her father with the idea of the Secret Tunnel; it’s not just a reversal of his policies, it’s also a betrayal and a political statement that most of the Gondolindrim seemed to want to ignore – that Gondolin was no longer safe. I also always assumed Turgon would have closed up the tunnel again if he knew, if Maeglin didn’t get to it first. That’s not to mention that beloved as Idril was, her political power was at the very least limited: Turgon asked Maeglin to be his regent during the Nirnaeth Arnoediad (which Maeglin refused), and when Turgon gave up his regency he made Tuor their leader, not Idril, so it’s anyone’s guess whether her station would have given her any leverage to continue her project in case of her father or Maeglin hearing about it. I find it doubtful.

The possibility of many tunnels and still maintaining secrecry really wasn’t one – it’s not a logistic possibility because a) the more workers would be needed the greater likelihood it would be for someone to let something slip,

deliberately or accidentally, especially if they’d have to reply on people Maeglin hadn’t wronged, and b) the geological makeup of Tumladen doesn’t allow for it. Idril’s tunnel was at least six or seven years in the making and still did not reach all the way into the mountains – plus, what other exits could there be? In case of the betrayal she suspected, the gates and dry river would definitely be guarded as the most logical entry point into the valley, and while I’m not entirely sure whether Bad Uthwen (the Way of Escape) is the same as that or another route from the valley, in the latter case it’d be another good spot for anyone with a shred of tactical knowledge to set up an ambush. In that regard Idril’s choice of going south into the highest mountains was smart, it’s the least likely route and the most protected (the Cirith Thoronath was populated by the eagles, after all, though I suppose not even those would have helped much if not for Glorfindel taking on the Balrog). 

The Lost Tales II also have a take on “just for you and yours” – nope. Just at the foundation of the House of the White Wing that “[i]n secret too [Idril] whispered to folk that if the city came to its last stand or Turgon be slain they rally about Tuor and her son” which is about as much as she could do in case of an emergency without compromising the only possible exit. It’s also worth noting that Tuor did take the survivors that Egalmoth had rescued from the city to the tunnel, and Idril herself went through the city picking up women and children to help them escape. The suicidal last stands of the lords that are described in BoLT II are primarily during the early phase of the fight while Turgon’s order still is to defend and hold the city (nevermind “once discovered Gondolin must fall”, I guess) rather than the turn it takes shortly before Turgon’s death and the order becomes to evacuate, so the pathos there isn’t all that applicable either.

tl;dr, Idril did the best she could given the circumstances, and the route wasn’t just for her and her family.

My Biggest and Most Annoying Fictional Horse Pet Peeve

grison-in-space:

feathersescapism:

kittydesade:

flukedoesecology:

jltillary:

elodieunderglass:

slavicafire:

jasmiinitee:

Big Horses are a Very New Thing and they Likely Didn’t Exist in your Historical and/or Fantasy Settings.

You’ve all seen it in every historical piece of media ever produced. Contrary to popular belief, a big black horse with long legs and long flowing mane is not a widespread or even a particularly old type of horse.

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THIS IS NOT A MEDIEVAL THING. THIS IS NOT EVEN A BAROQUE THING. THIS IS A NINETEENTH CENTURY CITY CARRIAGE HORSE.

All the love to fancy Friesian horses, but your Roman general or Medieval country heroine just really couldn’t, wouldn’t, and for the sake of my mental health shouldn’t have ridden one either.

Big warmblood horses are a Western European and British invention that started popping up somewhere around 1700s when agriculture and warfare changed, and when rich folks wanted Bigger Faster Stronger Thinner race horses.
The modern warmblood and the big continental draught both had their first real rise to fame in the 1800s when people started driving Fancy Carriages everywhere, and having the Fanciest Carriage started to mean having the Tallest and Thinnest Horses in the town.

Before mechanised weaponry and heavy artillery all horses used to be small and hardy easy-feeders. Kinda like a donkey but easier to steer and with a back that’s not as nasty and straight to sit on.

SOME REAL MEDIEVAL, ROMAN, OTTOMAN, MONGOL, VIKING, GREEK and WHATEVER HISTORICALLY PLAUSIBLE HORSES FOR YOU:

“Primitive”, native breeds all over the globe tend to be only roughly 120-140 cm (12.0 – 13.3 hh) tall at the withers. They all also look a little something like this:

Mongolian native horse (Around 120-130 at the withers, and decendants of the first ever domesticated horses from central Asia. Still virtually unchanged from Chinggis Khan’s cavalry, ancestor to many Chinese, Japanese and Indian horses, and bred for speed racing and surviving outdoors without the help of humans.)

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Carpathian native horse / Romanian and Polish Hucul Pony (Around 120-150 at the withers, first mentioned in writing during the 400s as wild mountain ponies, depicted before that in Trajanian Roman sculptures, used by the Austro-Hungarian cavalry in the 19th century)

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Middle-Eastern native horse / Caspian Pony (Around 100-130 at the withers, ancestor of the Iranian Asil horse and its decendants, including the famous Arabian and Barb horses, likely been around since Darius I the Great, 5th century BC, and old Persian kings are often depicted riding these midgets)

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Baltic Sea native horse / Icelandic, Finnish, Estonian, Gotland and Nordland horses (Around 120-150 at the withers, descendant of Mongolian horses, used by viking traders in 700-900 AD and taken to Iceland. Later used by the Swedish cavalry in the 30 years war and by the Finnish army in the Second World War, nowadays harness racing and draught horses)

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Siberian native horse / Yakutian pony (Around 120-140 at the withers, related to Baltic and Mongolian horses and at least as old, as well-adapted to Siberian climate as woolly mammoths once were, the hairiest horse there is, used in draught work and herding)

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Mediterranean native horse / Skyros pony, Sardinian Giara, Monterufolino (Around 100-140 at the Withers, used and bred by ancient Greeks for cavalry use, influenced by African and Eastern breeds, further had its own influence on Celtic breeds via Roman Empire, still used by park ranger officers in Italy)

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British Isles’ native horse / various “Mountain & Moorland” pony breeds (Around 100-150 at the withers, brought over and mixed by Celts, Romans and Vikings, base for almost every modern sport pony and the deserving main pony of all your British Medieval settings. Some populations still live as feral herds in the British countryside, used as war mounts, draught horses, mine pit ponies, hunting help and race horses)

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So hey, now you know!

I love this so much – and now I know why Tall Lanky Thin horses have a terryfying vibe to them, and the “primitive” native pony-like breeds awake in me only hope and trust.

such valid historical finger-eaters here

Okay, so, you got me, I’m a horse person. I used to take riding lessons and would read tons of books about horses as a kid and teenager. You could definitely say I was that weird horse girl, and I really have to say even though this is really informative about the native types of equines in the general European and Middle Eastern areas how FULL OF BS THIS POST IS, SO BUCKLE UP BUTTER CUPS YOU ALL ARE GONNA DO A LEARN TODAY.

So what OP said about the Roman General not riding a Middle Ages war horse is actually correct and here’s why: The Western Roman Empire fell BEFORE THE MIDDLE AGES BEGAN AND IS WHAT TRIGGERED THE BEGINNING OF THE MIDDLE AGES IN THE GODDAMN FIRST PLACE. And for those of you who aren’t aware, the Middle Ages was roughly a 1000 year period that consisted of the 5th through the 15th Century; aka. 400AD-1400AD, and ended with the beginning of the Renaissance. (x, x)

First off, NONE OF THOSE ARE HORSES. THOSE ARE PONIES. You cannot ride ponies into battle while dressed in a full suit of armor because their legs would buckle out from underneath them because they simple aren’t large enough or strong enough o be able to carry the weight of a knight in plate armor. Hence the term WARHORSE. OP literally names off a bunch of PONY breeds, and while ponies were used commonly back then as cart and pack animals, they were not used in battle and thus would be bad steeds for fantasy and historical fictional characters that planned on doing any sort of fighting.

Secondly, the Fresian horse breed certainly WAS around during the Middle Ages because it originated in the Netherlands before the 4th Century and is literally known as the ‘Knight’s Breed’ because their size, strength, and stamina that allowed them to be able to carry the extra weight of a knight, his armor, and the armor the horse would be wearing as well. (x)

AND LASTLY, I’M GONNA HELP OUT ALL MY WRITER FRIENDS BY WRITING UP WHAT MIDDLE AGE WAR HORSES ACTUALLY WERE NAMED, THEIR USES, AND WHAT THEY MIGHT HAVE LOOKED SOMETHING LIKE.

ACTUAL MIDDLE AGED WARHORSES: Under the cut because images.

Keep reading

Mad on Main

-Mod Fluke

Oh thank god someone wrote the post so I didn’t have to because the original post just had me all what the actual fuck are you smoking.

OH THANK GOD I had that reaction to the original post but was too tired to go hunt shit up because yeeeeahaha fuck no. Also bless @jltillary for the super useful all-in-one-place link. 

Also: where are the mentions of changes in human height and size over time? I mean, horse sizes have also changed, but not as dramatically as humans.

Note that the OP is completely fucking right about horses historically being smaller than we think of them today, just for the record–horses have grown dramatically in size, in part because so have humans and in part because increasing agricultural output and wealth during the eighteenth and nineteeth centuries encouraged the specific development of very large, heavy draft horses to perform certain industrial tasks before being replaced with machines in the early to mid twentieth century. I do, however, agree that the specific choices they’ve displayed are… not particularly historic, since they’ve predominantly chosen modern pony breeds without necessarily considering the modern context of those animals, either. Or, frankly, the size of what it means to be a pony. 120cm to 130cm is just too damn small; we’re mostly looking from numerous Roman and medieval sources at a range closer to 138-153cm for most of European history, and only the means within that range seem to really change. For context, that is the size of your average Quarter Horse population if you aren’t constantly crossing them on real tall, gangly Thoroughbreds. It’s a very mid-range horse size. 

For context, these Roman horses ranged from 13.1 hands up to 15.3 hands, with an average size of about 14 hands. Here’s an image of a Roman-era Frisian horse against a modern-day Friesian, taken from a paper on Friesian history I’ve cited below:

(Frisian horses did increase in size between the small Roman animal pictured in front and the modern animals, it is true–but throughout medieval Europe, even in Frisia the average equine size continued to range about 13.3 to 15.3 hands or 140-150cm at the withers. Not remotely the size of a modern Friesian! Although this is not the size of the small ponies mentioned by the OP, either.) 

I gotta say LOL wtf at the Lipizzaner under “coursers,” though–they’re warhorses, that’s the point of airs under saddle. They’re built for collection first, strength second, and speed as a distant third. There’s an inherent tradeoff between speed and collection–you can think of that like balance or agility–and in a warhorse, you want to have collection before speed so you can turn quickly and pivot away from a foot soldier or encourage your horse to body slam someone, etc. You also want the poise to pull off, say, leaping up into the air and slamming your hind legs back to kick someone in the head. Lipizzaners are aaaalll about balance and centre of gravity, and it shows in a few notable points of their conformation. 

More on that below. 

In general, the courser lists don’t appear to really understand what these breeds specialize in any more than the list of ponies does. You’ve got the Arabians–who genuinely are animals I’d call coursers, being typically specialized for long-distance endurance, except that the specific animal pictured is an Egyptian Arabian typically specialized for having pretty heads and trotting around with a flat top like a conformation dog, not so much the current lines of performance Arabians preferred for endurance work which are built a little differently. (Akhal Tekes also fall into this category legitimately, to be fair.) 

You have the Lipizzaner, which as I said is not built for speed or particularly endurance. And then you have a Fjord, which is an all-around type breed–I’d actually put them right next to the Haflingers in terms of body type, conformation, and ability. They’re best, if anything, for strength, not really speed.  

I would actually put the Lipizzaner as the quintessential modern example of a destrier. Destriers genuinely weren’t as big as people seem to think, and the modern Percheron and Friesian may have roots in old destrier lines but both breeds have inarguably changed since–the Percheron specialized as a heavy draft horse and the Friesian as a carriage horse, and both are now changing again as people breed either with an eye to riding or, in the case of Percherons, as four-in-hand driving show specialists. The Shire? LOL, no. The progenitor of what we today call the Shire is the Old English Black, which spent considerable time as a carthorse being selected for that skill and everything that comes with that. Gypsy Vanners are similarly descended from British cobs, which means that these are the descendants of animals who have been selected primarily as… small carthorses and draft horses. Very similarly, I should add, to the Haflinger listed above! (The Morgan also, but to a much, much more limited extent. Morgans have always been very multipurpose horses.) 

Look, even if these carthorse and carriage breeds are descended from warhorses and warhorse lines, which I do actually find quite possible… they had a good 350 years past the point when anyone was really engaging in medieval-style warhorse combat for these horses to live on, and you don’t keep horse breeds around just out of historical interest! Horses are bloody expensive, and all breeds and lines of animals change over time to suit current tastes and, more importantly, current uses. No one wants to breed Percherons that are medieval-accurate destriers, eating their fool heads off, when good logging drafts are in high demand. So choosing modern animals to represent medieval specialists is a matter of thinking about the demands of given medieval equine jobs and thinking about the conformation and temperament that fulfill those jobs today. If you’re attached to the notion that Friesians are living replicas of the warhorse from the 1300s, I invite you to consider this much more thorough dissertation of the history of the modern Friesian by a scholar of the breed.

(I see the same thing happen when people want to talk about modern dog breeds in history. Look, I’m sorry, but your fat-ass English Mastiff without enough muzzle to breathe properly and a nose with no holes in it is not the same thing as the war mastiffs the Spanish used to rip the shit out of indigenous people. It’s just not. Most modern dog breeds have been exaggerated to conform to modern sensibilities and modern needs, and as such they don’t bear much resemblance even to their ancestors a century ago, let alone types of dogs kept by medieval people who were actually using dogs to do a job. But it’s very tempting to trace breed lineages back into the misty, romantic edges of yore, so… that’s apparently what we’re doing.)

So okay. Here’s the animals I would pick as showpoints, if I was going to pick a list of modern horse breeds to represent medieval types. I’m making efforts to pick photos that let you get a little bit of a better look at the side of a horse so you can see what kinds of structure we’re talking here. After all, in medieval Europe these horses would be purpose bred, not pedigreed, so structure would effectively have defined them. 

Rouncey

I’m not bothering with the rouncey, because frankly basically any basic hack qualifies; QHs are actually specialized for different things, notably short-distance speed, but frankly they’re so common that you wind up with more or less the same effect. If you’re not particularly any one thing, you count as a rouncey. Here’s a mustang, if you want an image. The mean of medieval and early post-medieval horses does seem to have been about 14 hands: technically pony sized, but not necessarily the small ponies that the OP demonstrated. Fortunately, that is also the size of your average mustang, give or take a couple of inches. 

Courser

Here’s a modern horse that I think would resemble a quite good courser. This is an endurance-bred Arabian with plenty of experience. Note that he is built perfectly level, with relatively light legs (though still with plenty of bone for durability). His neck isn’t too long, unlike the Egyptian Arabian pictured above, which means that he isn’t unbalanced and won’t find it hard to manage his breathing. He has a deep, deep chest–look at how far down his leg it moves past his elbow–which gives him plenty of room for big lungs and heart, allowing him better respiratory efficiency. Note that he does not have particularly powerful hindquarters. For an endurance horse, you don’t need them–it’s more important to have slow-twitch musculature that can keep going efficiently, and the more evenly the horse is built (that is, the closer its back is to being parallel with the ground), the more efficiently all motion is converted to forward motion. This horse is never going to win a sprint race against a Quarter Horse, but he will be fast across distance and would have been much prized by anyone who routinely needed to send messengers on horseback. 

Palfrey

This medieval type wasn’t mentioned, but I happen to like it–especially since I’m used to the modern representatives of the type being rather overlooked, especially in this context. A palfrey refers to what we would today call a gaited horse, which is particularly comfortable to ride, especially over long distances. (They are also reasonably popular in endurance riding for this reason, although they are not as fast.) This is a Paso Fino mare, chosen because they are reasonably middle-sized and also because they are a Spanish breed, which squares with the tendency to refer to palfreys as similar to or synonymous with jennets, often from Iberia. It’s not easy to identify a gaited horse from a still side shot, so here’s what a gait looks like. 

Destrier

I did say I intended to make a case for Lipizzaners as the prototype medieval destrier, didn’t I? This is a stallion on loan from the Piber stud. So. Let’s point out that Lipizzaners are probably the only line of animals still bred (via the stud at Piber) to perform airs under saddle; while these are framed as being for the betterment of the horse’s riding ability, it is perhaps instructive to consider who first thought training a horse to rear up on its hind legs in a controlled fashion and hop forward with forelimbs raised or to leap through the air and kick as he comes down was a wise idea, and why someone might have thought this at all. It is also worth noting that the Spanish riding style from which dressage comes from is primarily used today in bullfighting, whereupon it becomes immediately evident why you’d want a balanced horse who can immediately shift back on his hindquarters and move in any direction very quickly. 

What I want you to notice about this stallion is that he is not very large–Lipizzaners range from about 14.2 to 15.2 hands–but man, is he compact. He has a short back, a strongly muscled loin, a wide, powerful hip, and a thick, flexible neck. (Lipizanners often startle horse people for looking less like the glamorous Amazons we automatically expect expect and more like chunky, short little fat-necked white blobs; the shorter neck is actually helpful for balance and collection as long as it is flexible.). He also has good depth through the heart girth and while his legs are not particularly long, they are well boned. He is built slightly uphill if you draw a line from the point of his hips to the point of his withers. This is a horse built for agility and flexibility, but not necessarily speed. He is relatively strong for his size–this is a horse who will carry a much heavier rider relative to his height than a longer-backed, and who won’t experience a lot of exertion doing it. And his size is the size we most often find in zooarcheological digs of European medieval military horses.

My friends, this short fat little white pony is probably the most authentic warhorse you’re going to see any time soon. He’ll eat less than any Shire, too, and be much easier to turn and move quickly on the field–particularly given that medieval armor was a lot lighter than the same Victorians creating horses of sizes never seen in recent years liked to imagine.