To Catch a Falling Star

sweetteaanddragons:

sweetteaanddragons:

naryaflame:

cycas:

sweetteaanddragons:

mainecoon76:

sweetteaanddragons:

Belladonna Took has had quite the satisfactory adventure. She has at last seen the sea, just as she wished to, and so perhaps tomorrow she should return home.

Just at the moment, however, she has nothing better to do than lie in the sand and look up at the stars. Her favorite is the Evening Star; she has always loved the stories attached to it.

For a moment, it almost looks as if it is getting larger, but she shakes off this fancy with a laugh.

Except it quickly becomes increasingly obvious that this is not just an illusion. The star is getting larger – and, presumably, closer.

Belladonna pushes herself up onto her elbows and her eyes grow wide. It’s quite close now, so close that she rolls to one side and puts her arms up over her face, as if that will do anything in the face of whatever is happening.

Sand sprays up into her face. Belladonna tentatively cracks her eyes open.

There’s a pretty little piece of jewelry in the sand beside her. A white gem blazes in the center of it.

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This is perfect! What happened to Earendil, though? *bites nails*

The way I see it, one of three things had to have happened: Earendil threw it down deliberately, he let it fall accidentally, or one of the two happened while he was battling something.

I can’t think of any reason why the first would happen. He might forgive Maglor someday, but that’s a far cry from throwing the gem down to help him fulfill his Oath. Which of the second two it is really depends on whether this is a hobbit story that happens to have elves in it, or an Elf story that happens to have a hobbit in it. 

So here’s my take on both, and you can pick your poison. Before writing these, I was rather inclined to the first, being rather hobbitish myself; now I’m rather fond of the second.

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OMG the SECOND ONE.   

I WANT TO KNOW WHAT HAPPENS NEXTTTTT!!!!! 

The second one is great – I would love to know what happens! 🙂

The elvish story it is! Although this bit honestly works with either.

There’s a brief bit of elvish in here that I used an online translator for. If it’s done improperly, feel free to correct me.

Elrond is used to odd travelers turning up on his doorstep. After having a reborn Glorfindel show up, he doubts any group can surprise him again. So while he has not been expecting Belladonna Took to show up with someone who walks with the grace of an elf but keeps themselves hidden in a ragged cloak, he is not at all startled by it.

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Meanwhile, in Mandos:

Earendil didn’t consider himself to be a particularly rebellious person, current plot to defy the Valar notwithstanding. But as rebellious as he was sure tracking down Feanor and his sons in order to engineer a breakout would look if he were caught, it wasn’t defiance fueling him.

It was the far more familiar emotion of desperation.

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This is amazing! Belladonna is great, and everyone else too – though I’m kind of upset at Mandos’ treatment of the Feanorians, especially Celebrimbor.

(I liked the first version too, actually, but it’s REALLY embarassing for Eärendil. I feel more sorry for him than for 2nd version’s.)

russianfolklore:

“Vol’ga” by Andrei Shishkin.

Vol’ga Svyatoslavich (Russian: Вольга Святославич)

or
Volkh Vseslavyevich (Russian: Волх Всеславьевич)
is a Russian epic hero, a bogatyr, from the Novgorod Republic bylina cycle.

Vol’ga is a son of a serpent and
knyazhna (the daughter of a knyaz) Marfa Vseslavyevna. His distinguishing features are the ability to turn into a wolf and the
ability to understand the language of animals.

Vol’ga

has many archaic features, therefore
he is considered one of the oldest characters in Russian folklore.

robotmango:

robotmango:

my primary reaction to infinity war is like…. wow. under hypercapitalism we literally can’t imagine any other fables about resource scarcity, huh?

i’m not even talking about only thanos. every time thanos said his plan to kill half the galaxy (because it’s “finite,” lol ok one-semester-of-econ guy) the other characters were like “no!” or “you can’t!” or “that’s madness!” instead of… counter-arguing, or saying anything like “couldn’t you just… double the resources with a snap of your fingers?” obviously, nobody wants thanos to murder all those people, but it’s also as if everyone tacitly accepts his framing of the problem. “i want to kill half the universe because of resource scarcity,” he says, and everyone says “no, that’s too cruel!!” instead of “wait… wait just a fucking second there, paul ryan.” they don’t even have a line like that even when they’re talking amongst themselves, just musing at how twisted his worldview is, that he can only imagine infinite power as an infinite power to kill. no time is spent imagining an alternative.

and i can’t help but think about how we in the quote-unquote “first world” treat the resource consumption of the so-called “developing world.” we, who have enjoyed the pleasures and benefits of fridges and air conditioning and televisions and cars and convenience food and all that shit for generations: we look at the growing energy & plastics consumption of the developing world and go “uh oh, they’re really running the tab up over there, we can’t let this happen, think of the…. trees!!!” we have the audacity to act like people living in poverty in the tropics wanting window fans is selfish and short-sighted for the environment, and meanwhile we use and waste all the energy and resources we can get ahold of, like a continent full of montgomery burnses.

infinity war could have taken thanos’s approach to scarcity somewhere bigger: somewhere that was useful as a parable for our hypocrisy. the way that ragnarok was brave enough to make a parable of empire; the way that black panther could explore diaspora and identity; the way that the winter soldier actually had something to say about the surveillance-terror state. but for all the moving pieces of infinity war, i don’t think it knew where its central ethic rested. certainly, its characters showed the desire to preserve and protect life. but that’s true of any superhero film.

what it comes down to for me, is that it’s not enough for this movie’s theme to be “let’s protect people, because killing people is bad!” or even, sorry steve, “we don’t trade lives.” it’s not enough. thanos basically says, “there’s one bowl of soup and one spoon and two hungry people, so one of them has to die.” so what i needed was someone to openly reject that whole proposition. not just “no, you shouldn’t kill trillions,” but “no, that is fucking ludicrous, i reject that worldview. i reject human life as a brutal competition. group survival, even in the face of scarcity or hardship, is exactly what the fuck we developed culture for.” like, we could use that message. that message, delivered palatably in a blockbuster action movie, could do some good.

but it wasn’t really in there. maybe in little bits, in pieces. maybe. so i’m sure we’re going to have to endure a bunch of “welllll, thanos was a bad guy, but he did have a point about scarcity” metas. because we’re still failing to see how asking other people to die so that the rest can enjoy plenty is itself exactly the fucking problem on this bitch of an earth

i will acknowledge that gamora comes the closest to doing this. gamora comes down on thanos for slaughtering half her planet. but!! but! then thanos gets this horrible line about how the children who grew up after his genocide got to have “full bellies” and the planet’s a “utopia” now. and what does gamora get to say back to that? nothing! she doesn’t get a line after that! she looks angry and grief-stricken, but the writers don’t give her a single fucking thing to say in disagreement!! like, how about: “growing up as a traumatized survivor of genocide isn’t very fucking utopian????” the writers couldn’t imagine that fucking line?

tolkienrsb:

It’s Time! The TRSB18 is Here!

Sign ups for the TRSB18 are now Open!

What is it?

The Tolkien Reverse Summer Bang is a type of Big Bang event in which artists submit art prompts (up to 3 total, though each prompt can be more than one image/visual artwork). The art prompts are then claimed by writers who will write a piece of fiction (min 5000 words) based on the prompt chosen!

What’s the time frame?

May 1, 2018: Sign-ups open(That’s today, HURRAH!)

May 15, 2018: Artist sign-up closes

Monday, May 21, 2018: Art Draft due

Friday, May 25, 00:01 CET, 2018: Art up for preview

Saturday, May 26, 2018: Author sign-ups close

Monday, May 28, 20:00 CET, 2018: Claims open [What time is that for me?]

Sunday, June 3, 2018: Post-Claim Check In

July 5, 2018: Check In.

July 30, 2018: Check In.

August 17, 2018: Deadline for abandoning your fic to a pinch-hitter

August 25, 2018: Fics due.

Monday, August 27, 2018: Posting begins in the last week of August, running in staggered schedule until all Fics have been posted/reblogged.

The scheduled times and dates are not negotiable.  

Sounds great! Where do I sign up?

You sign up here (Artists) or here (Writers).

Feel free to sign up using your tumblr/AO3/whatever account name! All we need is an email for contact purposes (this will be shared with your match after claims).

I’ve signed up, now what do I need to do?

Now it’s time to get creative! :O